Tessa Hulls On The Weight Of History, The Power Of Comics, And Winning A Pulitzer Prize
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Tessa Hulls, writer/artist of Feeding Ghosts (Macmillian, 2024), winner of the 2025 Pulitzer Prize … More for Memoir Photo by Gritchelle Fallesgon; book jacket by Tessa Hulls Earlier this month, Tessa Hulls was working her usual contract job as a sous-chef in the private legislative dining lounge at the Alaska state capital in Juneau when she started getting an unusually high volume of text messages on her phone. She glanced at them between tasks. Had she been nominated for some kind of award? Eventually, one of the legislators came up to her, put his arm over her shoulder, and told her, “No, you weren’t nominated. You just won a Pulitzer Prize!” Indeed, when the awards were announced on May 7, Hulls’ memoir, Feeding Ghosts (Macmillan, 2024), became only the second graphic novel to win the prestigious award. The first, more than 30 years ago, was Maus: A Survivor’s Tale by Art Spiegelman. Like Maus, Feeding Ghosts is an intense blend of intergenerational family trauma and world-historical events. Tessa’s maternal grandmother, Sun Yi, worked as a journalist in Shanghai in the 1940s and had a front row seat for the Communist revolution. Falling under increasing surveillance by the authorities, she eventually fled to Hong Kong with her daughter, Tessa’s mother, but succumbed to mental illness from which she never recovered. The book explores Tessa’s discovery of both the public and private history that her family had fled, told in expressionistic black and white drawings over nearly 400 pages. Page from Feeding Ghosts by Tessa Hulls (Macmillian, 2024) Art by Tessa Hulls Feeding Ghosts succeeds as a both work of narrative and a work of art, made a bunch of best-of- lists, and has won or been nominated for a stack of major awards including the National Book Critics Circle John Leonard…
Filed under: News - @ May 31, 2025 4:26 pm